Sunday, October 04, 2009

Roman Polanski, Hollywood & Morality

The curious case of film director Roman Polanski has been drawing quite a bit of attention recently as a result of his arrest in Switzerland on charges stemming from something that happened over thirty years ago. In case you're not aware, Polanski, who is an Oscar winner and a highly regarded filmmaker in Hollywood circles, was arrested in 1977 for having sex with a thirteen year old girl after providing drugs and alcohol for her.

After entering into a plea agreement at the time, Polanski spent six weeks in jail for evaluation and was released. Upon learning that he might be sent to jail, he left the United States and has never returned. Polanski has avoided any country that has an extradition treaty with the U.S. and, therefore, has never been fully prosecuted for his crime.

His case has stirred up a lot of controversy as many in the Hollywood establishment have come to his defense and called for his release. But the general public doesn't view Polanski primarily as an Oscar winner. What most of us see is someone that raped a barely teenage girl and has escaped judgment. Paul Harris frames it well:
"The Polanski backlash has spread far and wide. He was never popular at all on the right wing of America's culture, but now middle America is firmly in favour of seeing him in a Californian courtroom. Talk show hosts, radio commentators and newspaper editorials from coast to coast have all insisted that the arrest was long overdue and that Polanski needs to be brought to the US.

"Hollywood people really don't see the world in the same way as average people... that is why there is a backlash," said Mike Levine, a Hollywood PR expert.

But it is perhaps no surprise that the gap between Hollywood and the rest of America has grown so large on this particular case. Because of his long and illustrious career, Polanski is a friend and colleague of nearly all the main players in the film world. They are his confidantes and his peers. His movies have made them stars and helped them to earn millions. They live in the same rarefied world of global fame. "Elite Hollywood culture is protecting one of its own," said Alexander Riley, a professor of sociology at Bucknell University.

It is also speaks to a certain type of Hollywood culture which appears to insist that its top stars are in some ways elevated above the law and should be treated differently to ordinary members of the public.

If Polanski was just an ordinary man instead of a world-famous film director, the bare facts of his case would be likely to elicit little sympathy – especially from the world famous. Hollywood stars seem to be arguing, in some ways, that Polanski's talent should allow him some sort of free pass for his past behaviour. "Hollywood... looks at the Polanski case and says, 'You have to make allowances for genius'," said Gallagher.

Hollywood's elite also functions as a kind of club and Polanski, seen by the elite as a great European auteur director, is a firm member. That requires a certain degree of success but also a great deal of ideological conformity. It is a cliche that Hollywood is uniformly liberal in its politics, but one with more than a dash of truth in it. It is certainly interesting to see the reaction to Polanski's case and compare it with the reaction to Mel Gibson, when he was caught mouthing drunken anti-Semitic abuse.

Gibson, a rare conservative in Hollywood, was brutally condemned by his fellow stars and sent into virtual career exile. Polanski, whose crime is far more serious, has seen a vast outpouring of sympathy. Being a member of the Hollywood club certainly seems to have its privileges.

"The difference between the reaction to Gibson and the reaction to Polanski has been just huge. Huge!" said celebrity interviewer Gayl Murphy. "That says a lot about what Hollywood thinks is important to them."
In some respects, Polanski is a sympathetic figure. A diminutive man who survived the Holocaust and had his second wife, actress Sharon Tate, killed by the Charles Manson gang in 1969, he has certainly gone through his fair share of suffering in life. But his suffering does not give him a free pass to perform criminal acts on young girls. Perhaps those in Hollywood will eventually see this.

Friday, October 02, 2009

Hip-Hop as Religion?

Taken from Chanel Graham at UrbanFaith.com:
"Pioneering hip-hop artist KRS-One is releasing a new book this fall called The Gospel of Hip-Hop. The 600-page book is modeled after the Christian Bible and said to serve as a life-guide manual for 'Hiphoppas," the term KRS-One uses to describe members of hip-hop culture. Including a hodgepodge of philosophy on faith, peace, and self-reliance, KRS-One hopes to help Hiphoppas change their circumstances to live a life that encompasses what he's termed the H-LAW (Health, Love, Awareness, and Wealth).

This isn't the first time KRS-One has talked about hip-hop as a religion. Back in 2000, he spoke with Beliefnet about what he called the Temple of Hiphop, a group whose membership included Lauryn Hill, Kid Capri, and Busta Rhymes among others who declared hip-hop their life. KRS-One, whose real name is Lawrence Krishna Parker, described the Temple of Hiphop as a "hip-hop preservation society." He said, "We believe that not only is hip-hop divine, but the temple is divinely ordained, because we accept it as that."

The Gospel of Hip-Hop is a continuation of the Temple of Hiphop ideals, as well as KRS-One's 14-year study of the music subculture. The rapper claims, "In 100 years, this book will be a new religion on earth." Bold statement.

We're not so sure KRS-One has stumbled onto the next Nation of Islam or anything, but his language does strike us as sounding a bit cultish. It is interesting, though, to ponder the idea of hip-hop as more than music. It has already evolved into a culture that transcends race and class, but at what point does the music evolve into a religion? Should we be concerned about false prophets springing up from the world of hip-hop?

I don't know about you, but it sounds to us like KRS-One is ascribing to hip-hop the kind of faith and devotion that should only belong to our Father in heaven. Perhaps he's found a purpose and fulfillment in hip-hop that he's been unable to find anywhere else. I'm sure there's millions of young men and women in our cities, suburbs, and rural communities who may have a similar testimony. Still, KRS-One and each of us need to step back from the idols we've embraced in life and realize that anything that's righteous and true is a gift from above, not from Jay Z or Lil Wayne."

Thursday, October 01, 2009

LeBron James & "More Than a Game"

Lebron James is one of the few youth basketball phenoms that went onto live up to the hype. On the cover of Sports Illustrated as a high school junior, James went directly from his prep team in Akron, Ohio to superstardom with the Cleveland Cavaliers in the NBA.

Although I've never met James, there are a lot of connections that have enabled me to follow his journey over the years. I lived just outside of Akron for several years and was a member of a church in west Akron, The House of the Lord, that James attended with friends periodically throughout his youth.

That is why I'm looking forward to an upcoming documentary film, More Than a Game, that will be opening in a few select cities this Friday. The film follows the story of the friendship between James and several friends that grew up together and went onto win a national high school basketball championship.

Their coach, Dru Joyce, was interviewed by Christianity Today regarding the movie. Joyce, a strong Christian who was also a member at The House of the Lord during my time there, reflects upon how he views his role as a basketball coach:
"As a Christian, I don't believe that you can separate your faith from anything you do. When I got the opportunity to do the travel team, I saw its purpose as using basketball to teach life skills. And as time moved on and I became a better coach, seven principles developed as the foundation for everything we did: humility, unity, discipline, thankfulness, servanthood, integrity, and passion. So now I hope to grow young men that exemplify those qualities and will carry them into life, whether it includes basketball or not.

Also, I've tried over time to emphasize the relationships. When it's all said and done, the relationships are all the players are going to take out of here. I want them to understand that basketball is a vehicle to help them get from Point A to Point B. It's not the be-all and end-all. They should use basketball and not let it use them."
I appreciate Dru's perspective on the influence that he has on the lives of these young men. Games will come and go but it is the lessons that are learned through athletics that last long after the buzzer sounds. As a coach myself, I hope that my players are much more concerned about the type of people they are becoming than what a scoreboard says.

You can view the trailer for the movie here.